Motley Editor Dan Webb looks at the factors that led up to the recent breakdown in negotiations between Disney and Sony Pictures, and what this means for the future of Spider-Man, and the Marvel Cinematic Universe I find myself sitting here writing an article I hoped I wouldn’t have to even think about, for a long time. Five years ago, in 2014, news broke … Continue reading Spider-Man: Leaving Home
Tadhg MacCionnaith explains the rapid evolution of entertainment. From YouTube to Netflix to the upcoming MEANS TV, Tadhg wonders how radical this revolution will get. As you are all aware, streaming seems to be the direction in which entertainment is going at the moment. First there was Youtube, which has gone from hosting amateur to professional videos. The likes of Twitch mean we … Continue reading An Entertainment Revolution
Morgan Hegarty reflects upon the 2018 action film Black ‘47 and how we feel about the Great Famine today. 2018’s Black ’47 was an extraordinary film, the first time the seminal period of Irish history has been depicted on the big screen. As one commentator described it, the Great Famine was “the seed of the Irish nation”, creating what the signatories of the Proclamation of … Continue reading The Distorted Mirror of Black ‘47
Motley Staff Writer Kane Geary O’Keeffe tries to answer the question of why movie audiences are growing tired of the overuse of CGI. Since its release on July 18 of this year, Universal’s deeply unsettling trailer for its upcoming film adaptation of popular musical Cats has been bombarded with equal parts ridicule and horrified curiosity. Audiences all over the world found themselves unable to … Continue reading Faked Out and Freaked Out
Every single year without fail I always look forward to the Christmas holidays. It gives me a chance to kick back on the couch and to catch up on all the movies and shows I have been meaning to explore but have been unable to due to college. One day during the holidays a friend and I went to the cinema to see Spiderman: Into … Continue reading Tricks and Gimmicks: Unneccesary Distractions?
Ave Imperator, morituri te salutant! – Hail the emperor, we who are mortal salute you! – should be written on every ticket for The Image Book, the newest film by the god of cinema himself: Jean-Luc Godard. (I examined my ticket very closely, by the way, but could not find it even in the smallest print.) Jean-Luc Godard, who turns 88 this December, is a … Continue reading The Image Book Review: Cork Film Festival