By Éamonn Grennan There’s a scene just after the violent beginning to the long-awaited and much-feted sequel to Ridley Scott’s seminal masterpiece of science fiction, where Ryan Gosling’s protagonist is flying back to the futuristic LAPD base. The camera magnifies on the high-tech spinner (flying car, essentially) hovering seamlessly across 2049’s main city in the plot. Gigantic metallic swells of skyscrapers, deep chasms of seemingly … Continue reading NeoNoir: The Blade Runner 2049 Review